Wednesday, 17 August 2011


Sticking with the seaside theme...tonight I managed to catch poet Owen Sheers examine Britain's changing relationship with the sea and its reflection in art on BBC4's 'Art Of the Sea'. I was reminded of this beautiful image (above) I had captured a few months ago, heading across the Millennium pedestrian bridge connecting the south bank's Tate Modern with the north side's imposing St Pauls Cathedral. 

Earlier in the day I had been to the Tate Britain in Pimlico to see their Turner and the Masters exhibition - comparing British Romantic painter JMW Turner's ethereal seascapes with the work of some of Italy's finest old masters. I realised that day that I hadn't truly appreciated the immense drama and passionate colour of Turner's canvases, presuming them all to be very dreary, grey and miserable seascapes. I had yet to experience the artist's utilisation of vibrant warm yellows and golds (pictured below) - as evocative and shimmering as Van Gogh's brightest paintings from his sunflower series. Capturing the photograph above, of the Thames in 2011, and seeing how successfully Turner was able to encapsulate its essence in his paintings reinforces my belief in the transformative power of art and the powerful, almost narcotic effect a striking visual image can convey. 

Above 3 images courtesy of Google.

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